Tutorials
Deep-Sound Divers´ Think-Tank
News
About Donating
Newsletter
Contact
Home
web2019_4001081.jpg
Members´ Area
web2019_4001080.jpg web2019_4001079.jpg web2019_4001078.jpg web2019_4001077.jpg web2019_4001076.jpg web2019_4001075.jpg
© copyright 2018
web2019_4001073.jpg
Contact
Newsletter
Members´ Area
Email
About Donating
News
Tutorials
Deep-Sound Divers´ Corner
The World Is Sound
Experiments, Experiences and Philosophy
Audible Art
DIY Corner
The Adventures of Grandpa Soundstone
Modular Synthesis:
Softube´s Modular
SoloStuff´s SoloRack
Granular Techniques:
accSone´s CrusherX
Frequency Modulation And Phase Modulation
u-he´s Bazille
u-he´s Zebra
Miscellaneous
Hardware:
Retro, Remakes And Clones
The New Genetics of Sound Part 2b "Landscapes of Sound II"
Part three of the "New Genetics of Sound" compares the "landscape" of partials in a spectrum with the real landscape out there in nature and translates the first into the latter and vice versa, making a hill, a river or a valley audible.
Do landscapes cry or sing?
Perhaps they do, but the do it that slowly we cannot hear their crying and singing, not understand their messages.

How looks a landscape like, that´s humming in perfect harmonies?

Do the deeds of people, who live in a certain landscape depend on the sound it represents, this slowly, slowly crying or singing of the valleys, knolls and hills?

Does real history correspond to sound of the real landscape this history took place in, when it - the sound - is made audible?
Press
The History of Working with Sound